Ten thousand times has the labor movement stumbled and fallen and bruised itself, and risen again; been seized by the throat and choked and clubbed into insensibility; enjoined by courts, assaulted by thugs, charged by the militia, shot down by regulars, traduced by the press, frowned upon by public opinion, deceived by politicians, threatened by priests, repudiated by renegades, preyed upon by grafters, infested by spies, deserted by cowards, betrayed by traitors, bled by leeches, and sold out by leaders, but notwithstanding all this, and all these, it is today the most vital and potential power this planet has ever known, and its historic mission of emancipating the workers of the world from the thraldom of the ages is as certain of ultimate realization as is the setting of the sun.
–Eugene V. Debs, “An Ideal Labor Press,” The Metal Worker (May 1904); courtesy of Wikiquote.
I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, ‘that last infirmity of noble minds’ — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
–Lewis Carroll, Preface, Sylvie and Bruno; courtesy of Wikiquote.
“But what can I do?” cried she, spreading out her arms helplessly. “I can not hew down trees, as my father used; and in all this end of the king’s domain there is nothing else to be done. For there are so many shepherds that no more are needed, and so many tillers of the soil that no more can find employment. Ah, I have tried; hut no one wants a weak girl like me.”
“Why don’t you become a witch?” asked the man.
“Me!” gasped Mary-Marie, amazed. “A witch!”
“Why not?” he inquired, as if surprised.
“Well,” said the girl, laughing. “I’m not old enough. Witches, you know, are withered dried-up old hags.”
“Oh, not at all!” returned the stranger.
“And they sell their souls to Satan, in return for a knowledge of witchcraft,” continued Mary-Marie more seriously.
“Stuff and nonsense!” cried the stranger angrily.
“And all the enjoyment they get in life is riding broomsticks through the air on dark nights,” declared the girl.
“Well, well, well!” said the old man in an astonished tone. “One might think you knew all about witches, to hear you chatter. But your words prove you to be very ignorant of the subject. You may find good people and bad people in the world; and so, I suppose, you may find good witches and bad witches. But I must confess most of the witches I have known were very respectable, indeed, and famous for their kind actions.”
“Oh. I’d like to be that kind of witch!” said Mary-Marie, clasping her hands earnestly.
–L. Frank Baum, “The Witchcraft of Mary-Marie”, in Baum’s American Fairy Tales (1908); courtesy of Wikiquote.
But how many merry monthes be in the yeere?
There are thirteen, I say;
The midsummer moone is the merryest of all,
Next to the merry month of May.
–“Robin Hood and the Curtal Friar”; courtesy of Wikiquote.