Blog Archives
Queen Live at Live Aid for the Weekend
With the resurgence of interest in Queen with the release of the biopic Bohemian Rhapsody, it seems appropriate to post what is widely considered one of the Queen’s all-time best performances. Enjoy this blast from the past, and R.I.P. Freddie Mercury!
“Shallow”
Yesterday was “Radio Gaga”; today is Lady Gaga! Long-time readers know that Lady Gaga is pretty big around here, so no suprise! This is her duet with Bradley Cooper from the new version of A Star is Born. Enjoy!
Pat Benatar: Metropolis Mix
One could cogently argue that the 1980’s Giorgio Moroder cut of Fritz Lang’s seminal science fiction movie Metropolis is not the best or definitive version. I would argue, though, that Moroder’s soundtrack for Metropolis is one of the best soundtracks of the 80’s, or, in fact, of that latter part of the last century. The soundtrack album, though, has different versions of the songs, though, and is in my opinion substantially inferior. This is most evident with Pat Benatar’s contribution. She sings “Here’s My Heart”, which recurs throughout the film; and the version in the film is far superior to that on the soundtrack album. The version above is a spliced-together mix of the movie version of the song. Despite the inferior production values of the album version, Benatar does great on it; but in the movie version, she sings like an angel. I dare you not to fall in love with her after listening to this! 😉
The Beatles or the Rolling Stones?
The Beatles vs. the Rolling Stones was the great “This or That” of the 60’s. Despite the unsurpassed creativity and variety of pop music in those days, it sometimes seemed as if the Beatles and the Stones divided the world between them, with there being no third. Certainly, they appeared to be the yin and yang of the rock world. There were the smiling, relatively clean-cut, boyish Beatles, who managed not only to make music for the kids, but to put out what John Lennon later disparagingly referred to as “granny music”, and who even made cartoons for kids (see below). On the other hand, there were the more brooding and snarly Stones, who were definitely not granny or kid-friendly, and who put out such anthems as “Sympathy for the Devil”. Of course, in the real world, the dichotomy was less stark–the Beatles had their dark side, and Charlie Watts, the drummer of the Rolling Stones, was and is into Big Band music. Still, the images and the public perception was there. I was too young to be aware of all this at the time, of course; so I’m going to approach this from another direction.
There has never been a time in my life that the Beatles weren’t in the cultural atmosphere. Their first album, Please Please Me, was released in March 1963, four months before I was born. Beatlemania ensued in the United Kingdom. They came to America and played on the Ed Sullivan Show in February of 1964. Beatlemania ensued in the United States. Thus, throughout my earliest years, there was always something by the Beatles on the air.
My first clear memory of them is of the cartoon TV series, The Beatles, which aired in first run and then in reruns from 1965 to 1969. I watched it regularly and could still remember bits and pieces of it by my forties, at which time I showed episodes to my then-young daughter on YouTube. As far as 60’s cartoons aimed at kids go, it still held up. And what a soundtrack! Going back to my youth, I was vaguely aware when the movie Yellow Submarine came out in 1968, but I never had the opportunity to watch it until it played on network television sometime in the early 70’s. It was very different, to say the least, from the TV series; but I found it oddly fascinating. Several years ago, I bought it on DVD for my daughter, around eight at the time; and she, too liked it.
As I said, the Beatles were always there. I listened to relatively little pop music as a kid, though. The records (yes, it was pre-CD and MP3) I bought were all classical. I heard what was on the airwaves, of course; and there was always Beatles, and later, Paul McCartney, and to a lesser extent, John Lennon, George Harrison, and Ringo Starr, as solo acts, on the radio. Still, it was more background music than anything else.
