Some legitimate history about one of the greatest linguistic accomplishments of all time.
Awhile back, I wrote a series on Mystery Science Theater 3000. My main focus was on what I saw as the archetypes of the Trickster and the Holy Fool that one could discern in the series. However, I also talked a little bit about how I came to be a fan of the show, and my thoughts on the two hosts, Joel Hodgson and Mike Nelson. Spoiler Alert: There will be mild spoilers for Season 11 below. The previous seasons have been around long enough that I assume everyone has seen them by now, and I won’t be discussing them, anyway.
As MST3K fans are doubtless aware, in April of 2017, the show, after many years off the air, returned with much fanfare and popular acclaim, as well as with new cast. I watched the new season–the 11th–and enjoyed it. It occurred to me that having written previously on MST3K, I should post something about its newest iteration. However, alas, at that time, I had lapsed from regular blogging. Of late, I have got back to at least periodic writing here at the Chequer-Board. I decided, therefore, that it was high time that I should return to MST3K and to write about my thoughts on the revived show.
Awhile back I wrote four posts on the series Mystery Science Theater 3000. I’ve recently decided to writer another post, and more may follow in the future. Therefore, I’ve decided to make an index page to get them all together in one place. Enjoy!
Last time we looked at the changes in technology related to television in the 90’s and early 2000’s. The sum total of these changes gave us much more control over what we watched. This in turn had effects on the content itself. How did this happen, exactly? Read on.
The first increases in control were cable TV (more different channels serving more niche interests) and home video (VHS). With the first, the content was still provider-driven–you had more channels, but each one decided what it was going to air. The second gave more control–you could watch a video anywhere, anytime–but the content was even more limited. This followed from the mechanism itself.
A VHS tape is relatively large and clunky. It can record up to six hours of material, but at the speed that gives optimal picture quality and resolution, it can store only two hours. This is the perfect length for most movies, but it is not good for TV series. A VHS tape could hold two hour-long episodes (typical for dramas) or four half-hour episodes (as with sitcoms) at optimal resolution. This means that a typical 22 episode season would require eleven tapes for an hour-long drama, or six for a half-hour sitcom. A single season, therefore, would fill up nearly one entire row of a media center stand. For long-running series, one’s available space would fill up rapidly. Sufficiently avid videophiles could tape episodes themselves, but for most of us it’s not worth the effort.
It’s been awhile since I’ve posted in my “Decline and Fall of Television” series. In the fourth installment, I had proposed to look individually at the various “junk genres”, as I called them, but ended up posting specifically only on reality television. Upon rereading the posts and thinking about where I want to go with the series, I think I no longer want to examine the junk genres individually. What I wrote regarding bandwidth, junk genres, and reality TV applies, mutatis mutandis, to the other genres. It’s too depressing and boring to have to think about such things as infomercials, anyway, let alone to write about them. I do have three final reflections with which to complete the DAFOTV series, though. In this one I want to look at the technological changes that laid the groundwork for these changes.
In the third installment of this series, I discussed the radical difference in the programming schedule of a typical broadcast day in the 70’s of my youth as opposed to now. In that vein, I want to look more broadly at the differences in the content thus delivered, and in how we watched it. Some content hasn’t changed that much, of course–sports are sports, news is news, and so on. Now there are networks completely dedicated to sports, news, and so on, but the delivery isn’t that much different: baseball in the summer, football in the fall and winter, and so on. The changes I’m interested in are in television drama and comedy series and general entertainment.
I make no claims for accuracy, but it’s fun, and fits in with today’s Egyptian theme.
I’m working on a multi-part review of Star Trek: The Motion Picture. I’ve put up two installments thus far, and will post at least two further (perhaps more). I’ll be putting them under the “Reviews” section. However, as a long-time fan of Star Trek in all its various iterations, particularly the original series (TOS), I may do more posts of a Trek-related nature now and then. Thus, I’m putting up this index page for the continuing voyages of Trek writing, in which I’m also putting my earlier reviews of J. J. Abrams’s 2009 movie. Live long and prosper!
This was a series pilot by Gene Roddenberry, from 1974. Most of his post-Star Trek attempts were awful, but this one wasn’t too bad. Enjoy!