I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
–Bene Gesserit Litany Against Fear, from Dune, by Frank Herbert. Courtesy of Wikiquote.
I don’t use a straight razor, by the way. I don’t want to slit my own throat accidentally, after all! I do use mug soap and a brush, though. In any case, this post is a departure from my usual topics; but then again, variety is the spice of life.
As is the case with most young men, I found the advent of facial hair an exciting time. My parents had bought me a shaving kit, without comment, around Christmas my freshman year of high school, or maybe for my birthday that year (which would have been the summer between freshman and sophomore year); I don’t remember clearly. I allowed it to sit for a few months. After all, I didn’t know what the threshold was for starting to shave (how fuzzy does the peach fuzz have to be?), and this was one of many things that Dad seemed to feel no need to discuss. I was a first child, and Mom and Dad had me relatively late (for those days); and in retrospect, I think they often assumed that kids would “just naturally” do the various developmental things at the appropriate age. Thus, shaving did not need to be discussed.
Be that as it may, I eventually caved in some time during my sophomore year, and shaved the fuzz off. It was rather anticlimactic, really–not much effort at all. I did leave the “mustache”–scare quotes intentional–intact, though, and kept it there for the rest of the year. Alas, every young man has to go through his “pencil-thin mustache” stage, I guess.
Ceux-là qui aiment à se faire craindre, craignent de se faire aimer, et eux-mêmes craignent plus que tous les autres; car les autres ne craignent qu’eux, mais eux craignent tous les autres.
Those who love to be feared fear to be loved, and they themselves are more afraid than anyone, for whereas other men fear only them, they fear everyone.
–The Spirit of Saint Francis de Sales, ch. 7, sct. 3 (1952); courtesy of Wikiquote
A few days ago I was sitting in a Wal-Mart, waiting to get a tire replaced on my car. I had my Kindle Fire with me so I’d have something to read. Recently I posted here about The Gospel of Thomas. Since I had the ebook version of The Gnostic Bible on my Fire, I decided to open it up and reread The Gospel of Thomas. I got to the first page and stopped. I remembered that I’d started to read this particular translation before, and stopped; and I remembered why I’d stopped. The introduction to Thomas says,
The translation gives the Semitic forms of Semitic names, in order to highlight the Jewish identity of Jesus and his students and the Jewish context of the life of the historical Jesus. For example, the name Yeshua is used for Jesus; the other names are identified in the notes.
Thus, the first line of the translation reads, “These are the hidden sayings that the living Yeshua spoke and Yehuda Toma the twin recorded.” “Yehuda Toma” is the Aramaic for Judas Thomas–the disciple known as “Thomas”, literally “twin”, in the canonical gospels, and referred to also as Judas or Judah here and in other non-canonical sources. This irritates the crap out of me, and the rest of this post will unpack the whys of this irritation.
An outstanding memory is often associated with weak judgment. … If, thanks to memory, other people’s discoveries and opinions had been kept ever before me, I would readily have reached a settled mind and judgment by following other men’s footsteps, failing as most people do to exercise my own powers.
—Montaigne, Essays, as translated by M. A. Screech, pp. 32-33.
The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
–Carl Jung, The Theory of Psychoanalysis (1913); courtesy of Wikiquote
The unconscious is the larger circle which includes within itself the smaller circle of the conscious; everything conscious has its preliminary step in the unconscious, whereas the unconscious may stop with this step and still claim full value as a psychic activity. Properly speaking, the unconscious is the real psychic; its inner nature is just as unknown to us as the reality of the external world, and it is just as imperfectly reported to us through the data of consciousness as is the external world through the indications of our sensory organs.
–Sigmund Freud, Dream Psychology : Psychoanalysis For Beginners (1920) as translated by M. D. Eder; courtesy of Wikiquote
I posed the question, “Could Joel or Mike on MST3K have been a chick?” (to be flip) over here, and answered, “No.” On the way to justifying that answer I looked at the archetypes of the Trickster and the Holy Fool. Now let’s bring it back to pop culture and apply it.
I think the host/captive on MST3K is really just a specific example of an archetype that occurs very commonly in pop culture. Two other exemplars are Pee Wee Herman and Weird Al Yankovic. There are others that spring to mind–for example, Rob Schneider, Chris Farley, and Ringo Starr have embodied aspects of the Trickster/Fool persona in movies and music–but the four I’m considering here are the best examples. They are all about the same age and were at their peaks at approximately the same time. More importantly, they all have embodied the archetypes more fully and consistently, and as a bigger part of their public persona, than the other actors and singers mentioned or for that matter than almost anyone else in pop culture. There are also interesting parallels in their careers that I want to look at.
As one important proviso, I want to point out that when I speak of these worthies, I am speaking of their public personas, not their private lives, unless otherwise specified. Thus, I’m not particularly interested in Paul Reubens or Joel Hodgson, but I’m very much interested in Pee Wee Herman and Joel Robinson, their on-screen characters. Mike Nelson and Weird Al used their real names, but I am equally interested in their personas, not in them as individuals.
In my last post, which deals with the archetype of the Trickster in pop culture, having been prompted by a discussion of who should host MST3K, I mentioned, in addition to the Trickster, the Holy Fool. I didn’t describe the Holy Fool beyond merely mentioning the term, so I’m using this post as a brief detour to discuss the Fool archetype.
The Holy Fool or Fool is in a sense the Trickster in a religious context. What one might call the spiritual-but-not-religious form of the Holy Fool is the Fool. We’ll distinguish the nuances soon. In any case, the Holy Fool emerges from the very definition of religion. Religion–from the Latin re-ligio, or “binding back” (to the Absolute)–ultimately seeks to connect us to the Absolute, however we may conceive of that (God, Brahman, the Universe, etc.). In short, it seeks to take us beyond the realm of day-to-day existence; it seeks, in short, transcendence. The question is, how does one describe transcendence in the language of the day-to-day world? Mystics–those who claim to have had experience of that transcendent level of reality–are in an even more difficult position. Having experienced the transcendent, how to you convey that experience to those who have not had it? It’s like trying to describe color to the blind or music to the deaf. It is like the man in the Plato’s cave who, having experienced the exterior world, is looked at as insane by his fellows still locked in darkness. Not surprisingly, the mystic is indeed often looked at as insane by larger society.
Some decade and half ago or so, I was having a conversation with a friend about Mystery Science Theater 3000. He was a big fan, and though I’d always avoided it in the past, he’d managed to get me into it, too (that’s a long story in itself, and for another time). We were discussing one of the big topics of MST3K fandom, namely Joel vs. Mike, and who might make a good third host should Mike leave and the show continue. This was in the Mary Jo Pehl days, when she had replaced Trace Beaulieu as the main nemesis, playing Pearl Forester, the ostensible mother of Beaulieu’s Clayton Forrester (I guess I should note here that parts of this post are going to be very much “inside baseball” and that non-fans may need to go Googling some of this stuff). My friend suggested the possibility of a female lead, putting forth Pehl as an example of the type of comedienne who could do so. I disagreed. I need to emphasize that I am all for equality and am proud to call myself a feminist. However, there are some differences, obvious (men don’t bear children) and subtle (women are better at verbal skills, on average, men at spacial perception). I didn’t have anything so exalted in mind here, though, and though I was adamant that it had to be a male in the lead role for MST3K, I couldn’t quite say why.
I thought about it on and off, and came up with some tentative thoughts on the matter, but never pursued them. I even saved the original template of this post, since I thought the subject would be interesting, but never could quite come up with a clear exposition. Finally, a few years ago I encountered the fascinating and excellent book The Trickster and the Paranormal, which had been suggested to me by Chris Knowles at the Secret Sun blog. The book revolutionized my views on several things. One of the less important, but still interesting, such things was the question of who should host MST3K. Specifically, I now could articulate clearly why I thought, against my feminist impulses, that the prisoner on the Satellite of Love would have to be a guy. The short answer, the unpacking of which will encompass the rest of this post, is that a girl would not fit the necessary Jungian archetype for the role.